Azucena Imbuto Floor Lamp
Save to a wishlist
Available in
- Regular price
- $2,975
- Sale price
- $2,975
- Unit price
- per
- Regular price
- $2,975
- Sale price
- $2,975
- Unit price
- per
- Regular price
- $2,975
- Sale price
- $2,975
- Unit price
- per
- Regular price
- $2,975
- Sale price
- $2,975
- Unit price
- per
- Regular price
- $2,975
- Sale price
- $2,975
- Unit price
- per
- Regular price
- $2,975
- Sale price
- $2,975
- Unit price
- per
- Regular price
- $2,975
- Sale price
- $2,975
- Unit price
- per
- Regular price
- $2,975
- Sale price
- $2,975
- Unit price
- per
Not right for you?
We have more options available.
Enquire now
The name Imbuto (funnel) gives away the provenance of this lamp yet there is precious little funnel left. The lamp comprises a metal, cone-shaped lampshade atop a slender stem diffusing a generous halo of light.
Dimensions
Width: 20 cm
Depth: 20 cm
Height: 192 cm
Materials
Stem: brass or chromed brass
Cone-shaped reflector: painted aluminium
Base-frame: painted cast iron
Ferrule: felt
Luigi Caccia Dominioni
Luigi Caccia Dominioni was born in Milan on 7 December 1913 which marked his entry as an architect in the post-war period in Milan. He received his degree from the Milan Polytechnic University in 1936, just as the city was developing and aspiring to be modern and measure itself against the rest of Europe. With his reserved aristocratic temperament, he was an epitome of the most authentic Milanese personality: quiet and hard-working. He had a stubborn and proud faith in an ideal “Milanese identity” and as a nobleman with a simple heart was very able at transforming the Milanese dialect into an international language, understandable by anyone thanks to a visual and spatial language that was universal. Today his products are still in production thanks to companies like Azucena.
Luigi Caccia Dominioni was born in Milan on 7 December 1913 which marked his entry as an architect in the post-war period in Milan. He received his degree from the Milan Polytechnic University in 1936, just as the city was developing and aspiring to be modern and measure itself against the rest of Europe. With his reserved aristocratic temperament, he was an epitome of the most authentic Milanese personality: quiet and hard-working. He had a stubborn and proud faith in an ideal “Milanese identity” and as a nobleman with a simple heart was very able at transforming the Milanese dialect into an international language, understandable by anyone thanks to a visual and spatial language that was universal. Today his products are still in production thanks to companies like Azucena.